MOLLY JAFFA
Molly Jaffa
has been working closely with Folio Literary Managment's authors’ projects since 2008, and is now aggressively and selectively building her list of clients. She
is thrilled to be part of the recent launch of Folio Jr., a division within the agency dedicated to developing and nurturing
the careers of YA and children’s authors. In addition to agenting, Molly utilizes her editorial background, previous
work experience in the e-publishing industry, and intimate knowledge of the Folio list in her position as Subsidiary Rights
Associate. She actively pursues sales of all unsold subsidiary rights, helping Folio clients’ books reach wide audiences
in as many formats as possible. Molly is an avid reader, and when she’s not devouring manuscripts, she can usually be
found camped out in the aisles of her local bookstore.
HOW TO PUBLISH
A BOOK: How did you get your start in publishing? How did the job at Folio Literary Management come to you?
MOLLY JAFFA: Folio
gave me my start in publishing, and I never left! I started assisting founding partner Jeff Kleinman several years ago, and
absolutely fell in love with agenting and Folio in general. My role has evolved considerably since then: now I’m Subsidiary
Rights Associate and am building my own list of clients. It’s been great to see Folio grow, and to grow with it.
HOW TO PUBLISH
A BOOK: What is “Folio Jr.”?
MOLLY JAFFA: Folio Jr. is an initiative within
the agency that focuses on nurturing and developing the careers of children’s and young adult authors. Children’s
publishing is a vibrant, ever-changing, and competitive space, and my colleagues and I are dedicated to providing 360 degrees
of care to our clients. It’s been just over a year since we established Folio Jr., and we have a Newbery Honor winner,
Caldecott medalists, and New
York Times-bestselling writers on our list.
HOW TO PUBLISH A BOOK: What does a Subsidiary
Rights Associate do?
MOLLY JAFFA: I assist our Subsidiary Rights Director and Senior Vice President
with the management of our clients’ foreign rights. We aggressively pursue the sales of our clients’ books across
the globe. I also handle our clients’ audiobook rights. Our subsidiary rights team and its initiatives—foreign,
audio, film, digital, and speaking—help our clients’ work reach a wide audience in a variety of formats.
HOW TO
PUBLISH A BOOK: What are your thoughts about eBooks?
MOLLY JAFFA: I love eBooks. I’m never without
my e-reader—it’s wonderful to have my library with me at all times. It’s my job to stay on top of what’s
being published, and having an e-reader makes it easier for me to keep up with new releases. I read more books in more varied
genres than I would otherwise, and I know I’m not the only one. Ebooks are definitely game-changers. At Folio, we’re
working with our clients to embrace the digital space as a key part of their careers. Our digital rights team meets regularly
with e-publishers and content developers.
HOW TO PUBLISH A BOOK: What should aspiring writers understand about
selling their eBook rights to a publisher versus self-publishing their eBooks?
MOLLY JAFFA: While there
are a handful of impressive self-publishing success stories out there, the most important thing to remember is that, for most
people, self-publishing an eBook is not the solution to a steady stream of rejections from print publishers or agents. People
want to read quality stories regardless of the format.
HOW TO PUBLISH A BOOK: As an agent, what are you
most interested in representing?
MOLLY
JAFFA: For now, I work primarily with children’s and young adult authors. I love a good story above all
else—something that sucks me into a world I’m not familiar with and makes me long for it to be real. I find myself
particularly drawn to middle grade novels because I have a real affinity for that readership. I remember what it was like
to beg my mom to take me to the bookstore to buy a new novel, only to devour it in a day, and then having to beg her to take
me back to the store the next day. (After a few too many rounds of this, we got a library card.) I still get that excited
about books!
HOW TO PUBLISH A BOOK: What are some of the processes you use to work with your
clients as an editorial agent?
MOLLY JAFFA: The revision process is all about helping the author convey her
vision for the book and her characters’ voices in the most beautiful, polished, and compelling way possible. After an
initial read, I’ll go back, re-read the manuscript, and use the comments and track changes features on Word to add notes
as I go, looking for rough patches of dialogue, inconsistencies in voice, or places where a character’s motivations
aren’t quite clear to me. Then I’ll write an editorial letter, which addresses the bigger-picture questions (pacing,
narrative tension, character development, etc.) and send the client my line-edited comments. If what I’ve said resonates
with the client, or touches on a larger issue she’s been concerned about, then we’ll work together to figure out
how to address those things.
HOW TO PUBLISH A BOOK: For someone completely new to publishing, what are the
basic steps you would tell them they need to take in order to publish a book?
MOLLY JAFFA: Do your
research. A simple Google search will reveal everything you need to know, from the appropriate word count for books in your
genre, to how to write an effective query letter, to which agents are looking for projects like yours. Websites and online
writers’ groups like Backspace, AbsoluteWrite, QueryTracker, and Publisher’s Marketplace are good resources. Pick
up magazines like Poets & Writer’s, Publishers Weekly, and Writers’ Digest. Even Twitter is packed with publishing
tips! In our super-connected age, there’s no excuse for being unaware of the publishing process. Writers spend years
of their lives writing and polishing their novels; they should put similar effort into seeking publication. Agents love to
get submissions from writers who have clearly done their research. It shows us that the author takes his or her career seriously.
HOW
TO PUBLISH A BOOK: How important are writers’ conferences? How should new writers learn which conferences
to attend? How did you learn?
MOLLY JAFFA: It’s not imperative that writers attended conferences, but
when they do, they should look for ones that focus partly on craft—not just pitching or marketing. Learning about the
business of publishing is great, but it’s also important to hone your writing. For children’s and YA authors and
illustrators, I highly recommend attending the SCBWI’s conferences.
HOW TO PUBLISH A BOOK: Describe your dream client.
MOLLY JAFFA: An
author who takes her writing career seriously (it can’t just be a hobby—it’s a career), recognizes that
publishing is a business, is open to revisions when necessary, communicates openly, and has a good sense of humor.
HOW TO
PUBLISH A BOOK: Where do you see yourself in ten years?
MOLLY JAFFA: Still in publishing.
HOW TO
PUBLISH A BOOK: At the end of the day, what is the most satisfying thing about working as a literary agent?
MOLLY JAFFA: There
are so many things! Knowing that you’ve had a hand in creating something that’s bigger than yourself; something
that could hold a lot of meaning for a lot of people. Knowing that you helped someone’s lifelong dream of becoming a
published author come true. Knowing that you have the kind of job your childhood self would be proud of.
HOW TO PUBLISH
A BOOK: Thanks so much, Molly, for speaking with us.
_____